„The extreme freedom inherent in dance is demonstrated with fascinating strength in this performance.“
Birgit Kirchner, Kölner Stadt-Anzeiger
„You have to see it to believe it…“
Jean–Marie Wynants, Le Soir
As an artist with roots in the avant-garde of the 1980s, Britta Lieberknecht has driven forward and helped shape cross-border dance performance in Germany. Continuously and independently of trends, she creates original and high-quality works that are characterised by both depth and humour. She presents stage works or works site-specifically in architecture and landscape. She dances herself in a large part of her work and works as a choreographer for her ensemble Britta Lieberknecht & Company. Since her beginnings, she has included musicians as physical performance partners and equal protagonists. Britta Lieberknecht always relates dance to an artistic or everyday medium that she consistently engages with and treats on an equal footing – from collision to fusion. Since 2012, this medium has predominantly been music.
With her dance ensemble Britta Lieberknecht & Company, she has developed her detailed choreographic approaches to early and new music in six stage works to date. With the help of musical collaborator Laurenz Gemmer, she has choreographed the Kunst des Staubsaugens for five dancers to compositions by J.S. Bach. After relating the music of Keith Jarrett and B.A. Zimmermann to each other through her choreography in Space for your Imagination, she was commissioned by the Festival for New Music Acht Brücken | Musik für Köln in collaboration with the ensemble Musikfabrik. With Vibes, she expanded the company’s musical focus in 2021 to include the topic of communication. Since then, she has been researching intuitive communication in improvised performances with visual artists and musicians. Among other things, in the Kollektiv PML, which she co-founded, and in the production Leise schäumt das Jetzt 2024, a collective improvisation by dancers and musicians. The trombonist Paul Hubweber has been a constant companion of the equal performative interaction between dance and music in Britta Lieberknecht’s work, introducing physical interaction and movement with his instrument early on with his open conception of music. From 1979-2012, she created the media for her dance explorations herself: Installations made of moving slide projectors, furniture, moving chipboard, a computerised sound installation under a dance floor made of floor mats, walk-in sculptures made of TV sets, installations made of light bulbs and fluorescent tubes, colour pigments, sculptures made of video monitors, films. During this period, she developed many works with the physical actor Reinhard Gerum as a permanent artistic partner under the label Britta Lieberknecht & Technicians. The boundary-pushing performances of this team were radical and characterised by maximum physical exertion. These included actions such as the tearing of clothing as a movement process or the smashing of a chair to the point of exhaustion or, from a musical perspective, with the theme of destruction as creation. However, she also shows the fusion of dance with her media, for example a moving sculpture of a dancer connected to a chair by underwear, or a ritualised interaction in Fluss TV. Britta has developed her dance-like performative form of action paintings from drawing. A three-year study of American postmodern dance and visual arts in NYC was groundbreaking for her artistic development, as was her membership of the multimedia dance ensemble PLAN K, led by Frédéric Flamand, in Brussels. Her feminist position is inherent in her work, both provocative and self-evidently inclusive.
including the cultural programme of documenta IX, Festival X94 Akademie der Künste Berlin, Tanzfabrik Berlin, Int. Tanztage Potsdam, Int. Theaterfestival Freiburg, Theaterzwang NRW, Tanzhaus NRW, Staatstheater Kassel, Skulpturenmuseum Glaskasten Marl, Unikum Klagenfurt (A), Aargauisches Kunsthaus Aarau, VIPER Luzern (CH), Charleroi Danse, Le Botanique Brussels (B), Opéra de Lille (F), The Place Theatre London, Phoenix Arts Space Bristol (GB), Stadttheater Freiburg, Video Dansa Barcelona, Dies de Dansa Barcelona (ESP), Acht Brücken | Musik für Köln, SPARK – Festival für aktuelles Musiktheater Cologne etc.
Exhibitions at the Skulpturenmuseum Glaskasten Marl, Brotfabrik Bonn, Pact Zollverein Essen, Städtische Galerie Neuss.
Performance: Britta Lieberknecht
nominated for the Cologne Dance Theater Award
Cologne Dance Theater Award
Ensemble PLAN K
Conductor Frédéric Flamand, Brussels (B, F, ES, IT):
La Chute d’Icare
Conductor: Frédéric Flamand
Stage design: Fabrizio Plessi
Music: Michael Nyman
Execution Ground
by André Jolles Nude Ants, Cologne
X-motion Dance performance
Action days 25 years Chernobyl (Citykirche Mönchengladbach)
Conductor: Frieder Mann
Dance performance duo with Frieder Mann
Couples’ Courage, Paul-Gerhardt-Kirche, Cologne
FLIPBOOK II + IV
Direction: Susanne Helmes
Site-specific performances on Mallorca, including 2017 performance at the Museum Fundacio Pilar y Joan Miró, Palma de Mallorca
ongoing Performances with PAErsche Aktionslabor, Platform for Performance Art Cologne, now PAE Aktionslabor
à table
Dance performance duo with Christiane Budden
Winterlandschaft mit Nescafé #2
Ilona Paszthy IP dance
Schirmgespräche III – just a piece of paper
Performance project with refugees, Susanne Helmes
lautLOS absence#5 – deconstruction of memory
IP-Tanz
Dramaturge and assistent director
Collaboration as choreographer, director and performer with the many times award winning theater group for young audiences theater monteure, famous for its innovative performances in this field:
blaues gold
by Andrea Lucas
Choreography and dance: Andrea Lucas and Britta Lieberknecht
wo der pfeffer wächst
Directed by: theatre monteure
Choreography: Britta Lieberknecht
Cologne Children’s and Youth Theatre Award
hier bin ich
Interdisciplinary and interactive performance in schools
Directed by: Joachim von der Heiden
federfein und kratzebein
Co-direction/choreography for Andrea Lucas and Thomas Marey
schattenriss
Dance theatre for young people
Directed by: Andrea Lucas
Co-directed and choreographed by: Britta Lieberknecht
abend sonne – morgen mond
Choreography for Andrea Lucas and Thomas Marey
mit dir zusammen
by Andrea Lucas
Directed by: Britta Lieberknecht
wenn das cello katze spielt
Direction/Choreography: Karoline von Lüdinghausen, Britta Lieberknecht
Ich denke sowieso mit dem Knie
Interdisciplinary and interactive performance in schools
Directed by: Joachim von der Heiden